What Broadway Show Is Sarah Hyland in? Her New York Stage Credits

Sarah Hyland's New York stage credits explained, including her run in Little Shop of Horrors, plus how to get tickets to the shows currently playing in the Theater District.

By New York City Travel Guide, Research and reporting

The lights of a theater marquee glowing above a busy sidewalk in the evening
A theater marquee with bright bulbs lighting a sidewalk crowd at dusk

The short answer involves a marquee on West 43rd Street's quieter cousin, not the block of postcard theaters most visitors picture. Sarah Hyland, best known as Haley Dunphy on Modern Family, took on the role of Audrey in the hit revival of Little Shop of Horrors that plays at the Westside Theatre on 43rd Street between 9th and 10th Avenues. That production is Off-Broadway, a label that confuses a lot of first-time theatergoers and changes where you buy tickets.

What Broadway Show Is Sarah Hyland In?

Sarah Hyland's headline New York theater credit is the role of Audrey in Little Shop of Horrors, the long-running revival at the Westside Theatre in Hell's Kitchen, and that production is Off-Broadway rather than on Broadway proper. The distinction is real: Broadway refers to theaters of a certain size clustered around Times Square, and the Westside Theatre sits just outside that category.

So the honest answer is that she is not headlining a Broadway-book musical, but she has carried a major New York stage role in a celebrated revival.

The casting made real waves when it was announced. Hyland is a trained singer with musical theater roots that predate her television fame, and taking on Audrey meant stepping into a part associated with a string of well-known performers since this revival opened. The show itself, Howard Ashman and Alan Menken's adaptation of Roger Corman's film about a flower shop clerk and his carnivorous plant, has been one of the most durable pieces in the American musical canon. It is the kind of score audiences leave humming, and the kind of role that rewards a performer who can sing, land a joke and break a heart, sometimes within the same scene.

For a visitor planning a New York trip around seeing her, the practical point is geography. The Westside Theatre sits on West 43rd Street between 9th and 10th Avenues, a ten-minute walk from Times Square but a world away in atmosphere: fewer costumed characters, more actual New Yorkers grabbing a drink before curtain. The 1, 2, 3, A, C and E trains all stop within a few blocks at the 42nd Street station complex, so it is one of the easiest theaters in the city to reach by subway. Coming from a Midtown hotel, you can walk it in most cases, and coming from downtown, the A or C gets you there without a transfer.

If your dates do not line up with her run, the Theater District still has a deep bench of star-driven musicals on the Broadway proper side of the line. Three of the biggest are below.

Is Little Shop of Horrors a Broadway Show or an Off-Broadway Show?

Little Shop of Horrors at the Westside Theatre is an Off-Broadway production, which is a technical category about theater size and location, not a judgment about quality. Broadway houses are the large theaters clustered around Times Square; Off-Broadway houses are the smaller rooms spread across Manhattan. The revival has drawn television names like Sarah Hyland into its cast precisely because it is a prestige production with a proven track record, not a lesser cousin.

The label trips up visitors because the original New York production of Little Shop of Horrors was itself famously Off-Broadway, downtown at the Orpheum Theatre, before the property became a film and a global staple. So the show has never actually been a Broadway production in New York despite being one of the most produced musicals in the world. That is a genuinely useful bit of context if someone in your group insists it "must be on Broadway," and it is the kind of detail that settles an argument at the dinner table before the show rather than during it.

What the Off-Broadway label means for you, practically:

Factor Broadway (the district) Off-Broadway (e.g. Westside Theatre)
Typical house size Large, the biggest rooms in the city Small to midsize rooms
Where to buy Box office, official ticketing, resellers, TKTS Box office and the show's official ticketing
TKTS discount availability Common, up to 50% off Varies by show; not every Off-Broadway title appears
Ticket price feel Premium seating can run steep Generally lower top prices than Broadway
Star casting Frequent, especially revivals Frequent in hit revivals like this one

The intimacy is the draw. A house the size of the Westside Theatre puts you close to the stage in almost any seat, and a show like Little Shop of Horrors, part comedy, part horror pastiche, part doo-wop concert, benefits from that proximity. The plant is right there. Audrey's ballads land without binoculars, and the doo-wop girl group narrating the story feels like it is singing to you personally, because in a room that size it more or less is.

If a Broadway-book musical is what your evening needs instead, the star-power route runs through the Theater District's long-runners, and MJ the Musical is a strong pick for anyone who wants a big, loud, polished night with serious choreography. It traces Michael Jackson's rise through the songs that defined him, staged in a Broadway theater in the heart of the Theater District, with seats assigned at booking so you know your tier before you commit.

How Do You Get Tickets to See Sarah Hyland on Stage in New York?

Check the official Little Shop of Horrors ticketing page first, because cast schedules change, performers take vacations, and a name on the marquee does not guarantee a name at a specific performance. Buy directly from the theater's official channel rather than a resale marketplace, and confirm the performance date against the production's own cast calendar before you plan an evening around one performer. If her run has ended by your visit, the Theater District offers plenty of alternatives.

This is the part of the plan where visitors lose money. Star-driven productions attract secondary sellers who list the same seats at inflated prices, and some listings do not make the cast-subject-to-change caveat obvious. The production's own site is the source of truth for both the schedule and the face-value price. If a deal looks too good, it usually is, and the fine print on a resale listing rarely protects you when an understudy goes on.

For Broadway shows more broadly, the discount landscape is well documented. The TKTS booths run by TDF sell same-day tickets at discounts of up to 50 percent off face value, with an $8 per ticket service fee, and there are currently two booths operating: Times Square at Duffy Square and Lincoln Center at the David Rubenstein Atrium. Older guides still send people to a South Street Seaport booth that no longer exists, which is worth knowing if you find an outdated article telling you to head downtown. Digital lotteries through Broadway Direct and Lucky Seat typically award seats in the $30 to $50 range, though that varies by show and is never a fixed figure.

A few rules of thumb that hold up:

  • Book star-cast revivals as far ahead as your dates allow.
  • Read the cast-change policy before buying, not after.
  • Same-day TKTS is for flexibility, not for a specific performer.
  • Lotteries are worth entering but never worth planning around.

Planning a whole evening in Midtown? Our best Broadway shows guide covers what is playing and who it suits, and the broader things to do in NYC page handles the rest of the day, from dinner reservations to the walk between the theater and the train.

What Other Stage Work Has Sarah Hyland Done?

Sarah Hyland's stage background runs deeper than her sitcom resume suggests: she trained in musical theater before television fame, and the Little Shop of Horrors revival is her highest-profile New York stage role. The Audrey casting was a return to the performing she trained for rather than a celebrity lark, and reviewers generally treated her as a legitimate musical theater performer, not a stunt cast brought in for the marquee alone.

She has been open over the years about her health struggles, including kidney dysplasia and a transplant, which makes the physical demands of eight-shows-a-week stage work more impressive rather than less. Musical theater performers sing over a live band while hitting marks and, in Audrey's case, doing it in a period-styled costume under stage lights. That is a genuine athletic feat on top of the acting, and it is one reason producers value television names who can actually carry the score rather than just draw the box office.

The casting pattern she represents is worth understanding if you follow New York theater. Producers of long-running revivals bring in recognizable television and film actors on limited runs to refresh the box office and give audiences a reason to see a show they have already seen, or thought about seeing. It is a healthy ecosystem: the show gets publicity, the actor gets a stage credit, and audiences get a familiar face doing something unfamiliar. Little Shop of Horrors has cycled through a series of well-known Audreys this way, and each new casting announcement tends to bring a wave of press and a bump at the box office.

For visitors, the takeaway is to check who is in the cast on your specific date. The marquee name and the Tuesday-night cast are not always the same people, and that is standard practice across the industry, not a bait and switch. Understudies and swings are the reason shows go on at all when illness travels through a company, and seeing one is part of the deal you accept when you buy a ticket to anything that runs eight times a week.

Rows of red theater seats facing an illuminated stage before a performance

What Broadway Shows Are Playing in New York Right Now?

The Theater District's long-runners include MJ the Musical, The Lion King and Wicked, three shows that between them cover the jukebox spectacle, family spectacle and blockbuster spectacle niches, all playing within walking distance of Times Square. Star-driven revivals rotate their casts, but these productions run continuously in fixed home theaters, so they are the reliable backbone of a Broadway evening. Check each show's official calendar for the performance schedule on your dates.

Choosing between them comes down to who is in your group and what kind of night you want:

Show Best for Style of night
MJ the Musical Fans of the Michael Jackson songbook, dance lovers Jukebox musical with heavy choreography
The Lion King Families, first-time theatergoers Staging, masks and score on a grand scale
Wicked Musical devotees, anyone who wants a sure thing Big, polished, full-orchestra blockbuster

All three sit in the Theater District, which means dinner before curtain is a solved problem if you plan it. Our where to eat before a Broadway show answer covers the practical options, and the Off-Broadway shows guide is the right read if the Westside Theatre's smaller-house appeal is what drew you in. If a family trip is the occasion, The Lion King is the safest pick of the three: the staging, masks and score land with almost every audience, and weekend seats go fast, so booking ahead matters more than the day-of discount hunt.

One thing worth knowing before you plan the rest of the evening around the show:

Why Does the Broadway Versus Off-Broadway Question Matter for Your Itinerary?

The label matters because it changes your ticket strategy, your dinner plan and your expectations, not because it predicts quality. Broadway shows cluster around Times Square with big houses, premium pricing and a TKTS discount ecosystem; Off-Broadway shows sit in smaller theaters across Manhattan with lower top prices, closer seats and a more local crowd.

A night at the Westside Theatre and a night at a Broadway house are both real New York theater nights, but they are different evenings out.

Consider the shape of the night. A Broadway house means a cavernous venue, a neighborhood built around pre-theater dining, and crowds moving in waves at curtain time. An Off-Broadway house like the Westside means a compact room, restaurants in Hell's Kitchen that cater less to tourists, and a five-minute walk back to the subway instead of a twenty-minute crush. Some travelers find the smaller room the more memorable New York experience, star casting or not, and the price difference usually lands in your favor as well.

The practical planning differences:

Planning factor Broadway night Off-Broadway night
Seat value Discounts via TKTS or lotteries, premium seats costly Lower face prices, fewer discount layers
Dinner Pre-theater menus everywhere nearby Hell's Kitchen options, more local pace
Crowd Heavy tourist flow at curtain Smaller, quieter house
Cast certainty Star casting rotates on limited runs Same caveat applies to revivals
Subway access Times Sq-42 St, the busiest station in the system Same station complex, short walk west

That last row deserves a note. Times Sq-42 St is not just the busiest subway station in New York, it carries 71 percent more riders than Grand Central, over 61 million in 2025. Whatever theater you choose in that neighborhood, you are moving with a very large crowd, so build in time. Arriving forty-five minutes before curtain is the difference between a relaxed drink nearby and a jog through a river of people.

There is also the question of what you do after. Broadway houses empty into the Times Square crush, where the crowds thin slowly and the bars fill fast. The Westside empties into Hell's Kitchen, where the after-curtain options are more neighborhood-scale and the walk to the train is calmer. Neither is wrong, but they suit different moods, and knowing which evening you want before you buy is half the planning.

For a group that wants the biggest, most reliable spectacle, Wicked remains the sure thing of the three long-runners: a full orchestra, elaborate sets and a running time of about two and a half hours including intermission, telling the backstory of the witches of Oz. Weekend seats go fast, so book early for the best price tiers.

Common Questions About Sarah Hyland on Broadway

The core facts: Sarah Hyland played Audrey in the Off-Broadway revival of Little Shop of Horrors at the Westside Theatre, which is her highest-profile New York stage credit, and it is not a Broadway-book production despite the marquee-level casting. Cast schedules rotate, so confirm who is performing on your date through the show's official ticketing before booking.

If her run has ended, the Theater District's long-running musicals remain the reliable alternative for a stage night in New York.

What Broadway show is Sarah Hyland in?

She is not in a Broadway-book musical; her headline New York stage role is Audrey in the Off-Broadway revival of Little Shop of Horrors at the Westside Theatre on West 43rd Street. The distinction between Broadway and Off-Broadway is about theater size and district, not quality, and this revival has drawn television names precisely because it is a prestige production.

Is Little Shop of Horrors on Broadway in New York?

No. The current revival plays at the Westside Theatre, which is an Off-Broadway house. The original New York production was also Off-Broadway, at the Orpheum Theatre downtown. The show has never been a Broadway production in New York despite being one of the most frequently produced musicals in the world.

Where is the Westside Theatre?

On West 43rd Street between 9th and 10th Avenues in Hell's Kitchen, roughly a ten-minute walk from Times Square. The 1, 2, 3, A, C and E trains all stop within a few blocks at the 42nd Street station complex.

How do I make sure Sarah Hyland is performing on the night I book?

Check the production's official ticketing page and cast calendar before buying, because performers in long-running revivals take scheduled vacations and casting rotates. Buying directly from the official channel also protects you from inflated resale prices and listings that bury the cast-subject-to-change caveat.

What if she is not in the cast during my visit?

The Theater District's long-runners, including MJ the Musical, The Lion King and Wicked, play continuously in fixed theaters near Times Square, and the TKTS booths offer same-day discounts of up to 50 percent off face value on many Broadway titles. Digital lotteries through Broadway Direct and Lucky Seat typically award seats in the $30 to $50 range when you win.

Is Off-Broadway worth seeing for a tourist?

Yes, and often for the reasons people assume Broadway is better. Smaller houses mean closer seats and lower top ticket prices, and hit revivals like Little Shop of Horrors carry production values and star casting that rival anything on the big stages. It is a different evening out, not a lesser one.

Theater plans in New York reward a little research and punish none. Confirm the cast, book the official channel, and leave room in the evening for the walk through Hell's Kitchen afterward, which is half the pleasure of seeing theater on the Westside rather than under the Times Square lights. More stage-night planning lives on New York City Travel Guide in our Broadway and theater coverage.

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